Category: SA

Mark Burry lecture at the Stockholm Architectural Museum 20081127

Posted by on November 28, 2008

The image Mark himself considers the most important; parallel work in physical and digital media, and strong collaboration between engineers and architects.

The image Mark himself considers the most important; parallel work in physical and digital media, and strong collaboration between engineers and architects.

Mark Burry lectured on Gaudi as part of the current Sagrada Familia exhibition at the museum (also curated by  him). As always, Mark´s lecture was packed with so many interesting issues of the Sagrada Familia development, from Gaudi´s times to now. The work is certainly very relevant today, as digital tools recreate the previously unseen models of Gaudi, and production of stone is advancing through 7 axis robots (5+2). The visual material presented by Mark communicates the potential pf parametric geometries in a very legible way, of course with a focus on the very particular geometries of the cathedral. They are now moving into a part of the project that has been described very little by Gaudi, but the principles of geometry have been set to the extents that the design work can be innovative yet conceptually follow his ideas.

As this lecture coincided with the Patterns lecture the day before, we had the opportunity to meet for dinner afterwards as a SA / Arkitekturmuseet joint thing, which provided the opportunity for in depth discussions also on the more social and political aspects of the Sagrada Familia project.

Patterns at SA lecture 20081126

Posted by on November 28, 2008

Marcelo Spina

Marcelo Spina

I hosted Marcelo Spina and Georgina Huljich of LA based Patterns, who lectured at the KTH School of Architecture as part of the SA lecture program. Marcelo  presented their work, with an emphasis on formal development, and physical prototyping. As many other young firms, they have been able to push their work by being part of ecxhibitions, often displaying material studies of formal variation. Most recently they also curated the Matters of Sensation show at the Artists Space in New york, featuring a number of practices of their generation. I found it interesting to discuss whether they would continue to use tha exhibition/gallery space as a venue, as part of their practice, or if this is becoming obsolete as they are moving into more built work. I believe they did recognize other aspects in these venues, as part of a discourse and experimnetaion, but it was also clear that building was very much in their agenda at the moment.